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Photography Trace And Trauma

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MessagePosté le: Sam 1 Juil - 02:50 (2017)    Sujet du message: Photography Trace And Trauma Répondre en citant

Photography is often associated with the psychic effects of trauma: the automatic nature of the process, wide-open camera lens, and light-sensitive film record chance details unnoticed by the photographer&mdash;similar to what happens when a traumatic event bypasses consciousness and lodges deeply in the unconscious mind. <IPhotography, Trace, and Trauma[/I] takes a groundbreaking look at photographic art and works in other media that explore this important analogy.<BR>
Examining photography and film, molds, rubbings, and more, Margaret Iversen considers how these artistic processes can be understood as presenting or simulating a residue, trace, or &ldquo;index&rdquo; of a traumatic event. These approaches, which involve close physical contact or the short-circuiting of artistic agency, are favored by artists who wish to convey the disorienting effect and elusive character of trauma. Informing the work of a number of contemporary artists&mdash;including Tacita Dean, Jasper Johns, Mary Kelly, Gabriel Orozco, and Gerhard Richter&mdash;the concept of the trace is shown to be vital for any account of the aesthetics of trauma; it has left an indelible mark on the history of photography and art as a whole.

Photography, Trace, and Trauma Margaret Iversen
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MessagePosté le: Sam 1 Juil - 02:50 (2017)    Sujet du message: Publicité

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MessagePosté le: Sam 4 Aoû - 08:30 (2018)    Sujet du message: Photography Trace And Trauma Répondre en citant

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MessagePosté le: Aujourd’hui à 14:29 (2018)    Sujet du message: Photography Trace And Trauma

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